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Seventeenth Issue
Volume 9, No. 1
 



features

Coming Of Age Reconsidered
By Claire Holden Rothman

Of Stripteasers And Scoundrels
By Joel Yanofsky


fiction

All That Glitters
Reviewed by Ami Sands Brodoff

Girls Closed In
Reviewed by Ami Sands Brodoff

The Rent Collector
Reviewed by Kristine Kowalchuk

The Extraordinary Garden
Reviewed by X. I. Selene

Adieu, Betty Crocker
Reviewed by X. I. Selene

The Far Away Home
Reviewed by Ibi Kaslik

The School At Chartres
Reviewed by Kelly Norah Drukker

Sextant
Reviewed by Angie Gallop

Cities Of Weather
Reviewed by Andrea Belcham

The Pagan Nuptials Of Julia
Reviewed by William Brown

The Unyielding Clamour Of The Night
Reviewed by Linda Leith


fiction at a glance

Guests Of Chance
Reviewed by Margaret Goldik


non-fiction

Stephen Harper And The Future Of Canada
Reviewed by Ted Smith

Farewell, Babylon: Coming Of Age In Jewish Baghdad
Reviewed by Mary Soderstrom

Margaret Macdonald: Imperial Daughter
Reviewed by Margaret Goldik

How To Be An Intellectual In The Age Of Tv: The Lessons Of Gore Vidal
Reviewed by Mark Heffernan

The Adaptable House
Reviewed by Pamela Plumb

Truth Is Naked, All Others Pay Cash: An Autobiographical Exaggeration
Reviewed by Kimberly Bourgeois

Alexander Brott: My Lives In Music
Reviewed by Brian MacMillan


non-fiction at a glance

Dancing With Fear: Tips And Wisdom From Breast Cancer Survivors
Reviewed by Margaret Goldik

The (practical) Guide To Finding The (right) Finance Job In Canada
Reviewed by Margaret Goldik

Silk Stocking Mats: Hooked Mats Of The Grenfell Mission
Reviewed by Margaret Goldik

On All Frontiers: Four Centuries Of Canadian Nursing
Reviewed by Margaret Goldik

Yes, Sister: Memoir Of A Young Nurse
Reviewed by Margaret Goldik



poetry

Standing Wave
Reviewed by Bert Almon

The Pallikari Of Nesmine Rifat
Reviewed by Bert Almon

The Jill Kelly Poems
Reviewed by Bert Almon

Satie's Sad Piano
Reviewed by Bert Almon



young readers

Lucille Teasdale: Doctor Of Courage
Reviewed by Carol-Ann Hoyte

Earth To Audrey
Reviewed by Carol-Ann Hoyte

Emily's Piano
Reviewed by Carol-Ann Hoyte

On The Game
Reviewed by Carol-Ann Hoyte

Split
Reviewed by Carol-Ann Hoyte

Birdhouses
Reviewed by Carol-Ann Hoyte

Bearcub And Mama
Reviewed by Carol-Ann hoyte

The Way To Slumbertown
Reviewed by Carol-Ann Hoyte

Dodo La Planete Do / Dream Songs Night Songs
Reviewed by Carol-Ann Hoyte




Margaret Macdonald: Imperial Daughter
By Susan Mann
$39.95
cloth 304 pp.
McGill-Queens University Press 0-7735-2999-3
non-fiction


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New Document Mann’s exploration of Margaret Macdonald’s world is both scholarly and readable. It rarely bogs the reader down with extraneous material but instead clearly portrays this indomitable woman and an era in which women were expected to be only helpmeets to their men.

Margaret Macdonald was born in rural Nova Scotia in 1873, daughter of a well-to-do Scottish merchant. She had dreams beyond her gender: she craved adventure, travel, new experiences. She was also a “born nurse” and a very able administrator. Some of the wars that pock-marked the late nineteenth and early twentieth centuries gave her the ability to make her dreams come true. Macdonald became a military nurse in the Spanish-American and Boer Wars, nursed in Panama during the construction of the canal, and finally became a matron/administrator in the First World War with the rank of Major.

World War I was a devastating introduction to modern warfare for medical personnel. “Attacks on hospitals and hospital ships were legally and morally beyond the pale of even the hideous practices of the Great War” – but they were a reality. Nurses were killed and wounded in action, as were the soldiers they tended. Fourteen nurses (and two hundred men) were drowned when a German submarine sank the Llandovery Castle, and epitaphs formerly used only for soldiers now became necessary for military nurses.

Macdonald was not a feminist in any real sense: she disapproved of the Suffragette movement because of its radical actions. But she made sure that her nurses were treated as “officers and ladies” in the military, as the professionals that nurses were becoming. The working uniform she designed for her nurses was carefully calculated to carry a particular image:


"The white apron over the cornflower-blue housedress suggesting a mother, the white collar and cuffs a schoolgirl, and the white flowing veil a nun. …. With so much symbolism stitched into the nurses’ uniforms, it is not surprising that Macdonald wanted it to be impeccable. No question therefore, of personal additions to the uniform … Nor was there to be any fancy evening attire: nurses would attend theatre performances and gala soirées in dress uniform or not go at all."


After the war Macdonald attempted to write a history of military nurses, but soliciting memories from the nurses who had worked in combat zones proved to be impossible:


“…much of what they had experienced was literally beyond words. Between the work they loved and its purpose of repairing and shipping men back to slaughter the gulf was just too deep. Like many of their soldier comrades, the nurses went silent after the war.”


Fortunately Mann has broken the long silence with this tale of an extraordinary woman in extraordinary times.

Margaret Goldik is co-editor of The Montreal Review of Books



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